The recent demolition of all the former Irish Mist liqueur warehouses in Tullamore and the upcoming demolition of the great oats store of D.E. Williams have prompted this lookback at the site that may have been intended for the first canal harbour or docking point in Tullamore close to Pound Street, later called William Street and now Columcille Street and Bury Quay – where the Old Warehouse (‘Shane Lowry’s’) is now located. The newly cleared site is intended for a 1,644 sq. metre Aldi retail store and associated parking. The bonded warehouse or now Old Warehouse and the oats store south of it were built close to the canal as part of a strategic acquisition by the distiller, maltster and merchant Daniel E. Williams and at a time when the Grand Canal provided a commercial transport artery for smooth access to Dublin and Limerick. This article is no. 3 in the series on the impact of the Grand Canal on Offal
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Faithful Images: public art in County Offaly, will be launched on Monday 11 December at 8 p.m. at Offaly History Centre, Tullamore by Eddie Fitzpatrick, cathaoirleach of Offaly County Council. Faithful Images is a welcome addition to the growing library on the cultural patrimony of County Offaly. Thanks to Creative Ireland and Offaly County Council for their support. The new book is in full colour and is €20. It can be purchased at Offaly History Centre, Bury Quay (beside the Grand Canal and the Old Warehouse) and at Midland Books, and online at http://www.offalyhistory.com. You will be welcome to attend the launch and to purchase a signed copy.
The Turf Man – capturing working on the bog for over a century
The combination of Fergal MacCabe as architect/town planner/water colourist with that of Paul Moore as photographer makes for an excellent outcome. Fergal MacCabe has an eye to the broad sweep of architectural history from his having studied and practised the subject over sixty years. He has been looking at buildings with an admirable curiosity since his teenage years. By the 1970s this had blossomed into his being a superb watercolourist especially when it came to places associated with his childhood years in the midlands. Living in Dublin now he can return to his native place bringing with him a fresh perspective. We had the pleasure of working with him on Tullamore: a portrait in 2010, attending several of his exhibitions, and several of his lectures including those on the rediscovered Frank Gibney.
Aisling – the spirit of the trees, Geashill(more…)
Unlike Birr the detail for the 1821 census for Tullamore has not survived. The 1821 summary from the census of that year indicates that the total number of people living in Charleville/O’Connor Square in 1821 was eighty people, living in ten houses. This figure may have been arrived by excluding GV 1–4 High Street, the market house and treating GV 7 and 8 (Manly’s, now the library and PTSB) as one property, reflecting its leasehold ownership. The position in 1901 and 1911 is much clearer.
The publications below are available from Offaly History’s history shop at Bury Quay, Tullamore beside the Old Warehouse restaurant, online 24/7, and open Mon to Fri 9 to 4. 30. We are also in Bridge Centre from 14th to 24 Dec. as in previous years. We look forward to seeing you. All our work is to promote Offaly History on a selfless basis. All the publications below are from authors pro bono, pro deo, pro condado.
Offaly History is delighted to produce another volume of Offaly Heritage which is the twelfth collections of essays and writings on the history of the Faithful County’. The essays in section one reflect the ongoing research in Offaly into aspects of life in Ireland 100 years ago as we come to the end of the Decade of Commemoration (1912-1923). The essays reflect the changing nature of society in Offaly at that time, particularly during the years 1920 to 1923 and readers will enjoy contributions as varied as they end of the Wakely family of Rhode; the final years of the Leinster Regiment at Birr; the Protestant minority in Offaly during the revolutionary period; the courts of assize in King’s County in the years 1914-21; the burning of Tullamore courthouse, jail and barracks in 1922; the story of Belgian refugees in Portarlington, and Offaly claimants in 1916. A series of short lives are presented in this volume, as they were in Offaly 11 and includes entries on individuals as diverse as J.L. Stirling, Averil Deverell. Middleton Biddulph; Robert Hames Goodbody and volunteer Sean Barry. This volume of Offaly Heritage is also strengthened by a wide array of essays on aspects of Offaly history stretching from Colmcille to early soccer activity in Offaly in the late nineteenth century. The editors are particularly pleased to include essays from a number of contributors for the first time. The compilation of writings on Offaly history topics continues in this volume. The volume concludes with information on the Offaly Historical and Archaeological Society, the county’s heritage office and reviews of recent books of Offaly interest.
In 1961 I joined B. Daly & Co Ltd and two years later SI was transferred to Irish Mist (another wholly owned Williams company) to supervise the production line in the Bond Store. I joined up with Joe Scally, and I was still with him until I finished in 1985 over 22 years later. Joe and I were always involved in Production. We overcame many difficulties in the area over the years due to expansion and increased demand for output, with changes in packaging and design etc. I started on the middle floor of the Bond Store. We shared the building with Tullamore Dew. We had a staff of about 12 at the time, with no machinery as the output was small. Within a short time later, in 1966 due to increased demand, we had to move to the top floor. We became much more mechanised and we saw a dramatic increase in output, and also a big increase in staff numbers. We also saw the introduction of the Figurine, Blue decanter, the pocket Flask, the Waterford Glass decanter, and many more display packs, introduced onto the market. In 1966 a new office block was built, along with a new laboratory and a compounding unit.
In the first two articles in this series we looked at the leasing of the sites in O’Connor Square and who built the houses. Today we look at the timeline and we have added more recent detail on occupiers and uses. There are sixteen properties to cover from the four on the west side to twelve in the main part of the square.
Commerce, community, and creativity are all part of the weave.
Golden, sophisticated, with a dash of mystery Irish Mist occupies a special place in the history of Irish distilling.
Ireland’s legendary liqueur might well be described as the accidental offspring of Tullamore Dew.
First produced in 1947 in response to the urgent need to make economic use of excess stock of whiskey it proved to be an inspired idea by Desmond Williams, grandson of the founder of the Tullamore Dew whiskey company.
Rolling out the barrell – the last whiskey is the famous Sally Grove warehouse in Water Lane – now called Main Street with Irish Mist staff and the officers of the Excise in 1983.
The history of Irish Mist involves a secret receipt from a mysterious Austrian distiller, celebrated through the famed ceramic figure made by Coronetti, Cunardo, Italy.
Now a collector’s item the splendid figurine is a replica of an Irish officer in the Austrian army from the 1750s.
Over a series of articles, it is intended to examine the evolution of the ‘market place’, Tullamore to the fine square it is today. It is intended to look first at the evolution of the square over the period from 1713 to 1820 with additional comments on the building history in the last 300 years in the second article. This will be followed with analysis of the return for the 1901 and 1911 censuses and thereafter case studies of two of the houses in the square. Both are public houses, the Brewery Tap and The Phoenix, and business is conducted in the original houses albeit that both have been extended. Both are well known with the Brewery Tap one of the oldest pubs in Tullamore and The Phoenix the newest. The Brewery Tap house can be dated to 1713 and The Phoenix as a house to 1752.
In my previous article (Part 4) on the history of the Ballyduff quarries I looked in more detail at one of the Wrafter families involved in stonecutting at far back as at least 1807. In this article I will relate the story of two other Wrafter families of stonecutters. Members of these families are still active in the cutting, carving and sculpting of stone.
Wrafter family #2
This Wrafter family were also from Ballyduff and were heavily involved in the stonecutting trade at least from the 1850’s onwards. Between 1850 and the 1950’s at least 12 men from three generations of this family were stonecutters and most of them had at one time or another lived in Ballyduff and learned their trade at the nearby quarries. The lack of older records makes it impossible for me at present to say to what extent this family, and indeed even the other Wrafter branches, were involved in stoneworking before 1800.
Belonging to the earliest generation of stonecutters were Thomas (b. 1835, d. before 1882) and Patrick (b. ab. 1842, d. 1889). Five sons of Patrick Wrafter and his wife Katherine (nee Walsh) became stonecutters (John, Patrick, Jim, Joseph and Alec). After learning their trade in Tullamore Jim, Joseph and Alec practised their trade for extended periods in Cork and Dublin.
John worked a quarry of his own in Ballyduff in the late 19th – early 20th century. Patrick worked a quarry together with some employees in the neighbouring townland of Arden until at least 1928. Alec returned to Tullamore and also worked part of the Ballyduff quarries up to the 1950’s.
Stonecutters from this Wrafter family worked on the building of the new Catholic Church in Tullamore circa 1906. In 1908, they carved the stone tracery for a new stained-glass window for St Catherine’s Church (Church of Ireland) in Tullamore. Several of the Celtic cross grave monuments at Clonminch cemetery in Tullamore bear the names of John and Patrick Wrafter, and can arguably be considered works of art.
Clonminch, Tullamore 2
Fig. 1. Celtic cross headstones sculpted by John Wrafter (1866-1941). Erected in or around 1910 in Clonminch cemetery, Tullamore. The monument in the photo on the right (2) was made by John for his own family; three of his children and his wife are named on the headstone.
Four of the Wrafter brothers (John, Jim, Alec and Joseph) were active in the Stonecutters’ Union of Ireland, a trade union for stonecutters. The photo below is of representatives of various branches of the Stonecutters’ Union of Ireland, as well as of the union’s central organisation. The picture was taken about 1905. Two of the brothers feature in the photo:
John Wrafter (b 1864), representative for Tullamore and Alec Wrafter (b 1879), representative for Dublin.
Fig 2. Photo of members of the Stonecutters Union of Ireland (obtained from Barry Wrafter). Alec Wrafter (Dublin) back row, 2nd from the left. John Wrafter (Tullamore) back row, 2nd from the right.
James (Jim) Wrafter (b 1872) was Treasurer of the Union (perhaps the Dublin Branch) about 1909.
Joseph Wrafter (b 1882) was elected Annual Auditor of the Stonecutters’ Union of Ireland in 1907. Joseph was not living in Dublin at the time so involvement in the union would have meant regular trips by train to Dublin to attend meetings in Capel St. Several years later Joseph moved to Dublin and by 1932 he had been elected the General Secretary of the Stonecutters’ Union of Ireland. He died in Dublin in 1936.
Among the members of the Tullamore Company of the Irish Volunteers in 1916 were several stonecutters and masons from the Bracken, Wrafter and Molloy families. Joseph Wrafter was an active member and played a big part in the events of 20 March 1916, which became known as the “Tullamore incident”. In a skirmish, shots were fired and a bullet from the gun of Peader Bracken (another stonecutter) hit police sergeant Ahern. Joseph and his fellow volunteers were tried by a military court and ultimately released without conviction. Joseph was the father of the late Sister Oliver, who was a Presentation nun in Rahan and a keen local historian.
Recurring issues at the Union meetings reported by the press were demands for the use of Irish limestone in construction and the employment of Irish stonecutters in quarrying and dressing stone. Another demand was that available jobs should go to trade union stonecutters.
In 1896 stonecutters of the Stonecutter’s Union at the Ballyduff quarries went on strike over demands for higher wages and a half-day on Saturdays. The strike was short-lived as a settlement was promptly reached. Three decades later in 1922, there was another dispute over wages. This time the settlement resulted in a reduction of wages of stonecutters by 5 shillings to £3-10s, and of quarrymen by 2 shillings to £3. This may have reflected a decrease in the demand for quarried stone. In the early years of the 20th century concrete blocks began to replace stone for construction purposes, a development that was much criticized by the Stonecutter’s Union.
Several of the next generation of the Wrafter family entered the stonecutting trade. I will mention just two of them here. Patrick Joseph, born c. 1899, son of James, emigrated to America. He states his occupation as stone carver on his wedding certificate of 1922 in Albany, New York State.
John born 1891, son of John (b 1864), became a stonecutter/sculptor in Tullamore. By the 1930s he had left the stone trade and became a grocer and publican, with premises on Harbour Street (Wrafter’s Harbour Bar).
The latter half of the 20th century saw the continuing decline of the stonecutting trade. The carving of headstones was one of the few activities that survived for the employment of stonecutters. Among the Wrafters of Tullamore the trade died out. Four or five decades passed without a Wrafter putting his signature to a piece of stonework. Then in the late 1990s the Wrafter name appeared once again in connection with stonework. Barry Wrafter, the great-grandson of stonecutter John Wrafter, born 1864, and grandson of John Wrafter of the Harbour Bar, revived the family tradition, and has made a name for himself as a sculptor and stone carver.
Growing up in Ennis, Co Clare, Barry returned to the trade of his forefathers as an outlet for his creative talent. He became interested in stone carving and sculpting after learning about the history of stonecutting in his family. Barry is one of only a few stone carvers using traditional methods and skills operating at the current time in Ireland. Since 1999 he has been commissioned to produce several public works throughout Ireland. His most ambitious work to date is undoubtedly the hurling sculpture in Kilkenny city (Fig 2), which he worked on in 2016-17. Closer to the home of his ancestors is “The Turf Cutter” from 2007, which is to be seen at the entrance to Belvedere House Garden and Park, near Mullingar (Fig 3).
Fig 3. Barry’s major work, the Kilkenny Hurling sculpture in Irish limestone completed in 2017. (Photo: http://www.barrywrafterart.com)
Fig 4. The Turf cutter sculpture at the entrance to Belvedere House and Gardens. (Photo: http://www.mckeonstone.ie)
More recently (in 2022), Barry was employed in the restoration of the Primark store (also called The Bank Buildings) in Belfast. The building, made of red sandstone from Scotland and completed in 1900, was ravaged by a fire in 2018. Some of his work can be seen in the photos below.
Fig 5. Pieces of carved sandstone ready for mounting into place in the Primark department store in Belfast. (Photo: Barry Wrafter)
Fig 6. Part of the facade of the Primark department store in Belfast during restoration. (Photo: Barry Wrafter)
Wrafter family #3
The third Wrafter branch involved in stonecutting may have started with Timothy Wrafter, born about 1804. Timothy, who lived in Aharney (a townland about 6 km northwest of Tullamore), was a stonecutter and farmer. He married Bridget Houghran in 1839 and had a large family; they had at least 11 children between 1840 and 1861.
At least two of the sons became stonecutters. John, born 1840, had settled in Chicago by 1880. He was married to Mary Molloy. He died in Chicago in 1904, age 65, occupation “Stone cutter”.
Another son, Timothy, born in 1849, married Anne Somers in 1877 and emigrated with his wife and two young children to Australia in 1883. They settled in the Brisbane area, where Tim continued his trade as a stonemason. Before leaving Ireland he probably worked for John Molloy at the Ballyduff quarries.
Timothy’s nephew, also called Tim, was a stonecutter according to the 1911 census. He was living with his parents in Ballykillmurray, close to Tullamore and the quarries, according to the same census. A couple of years later, in 1913, Tim made the same journey as his uncle had done 30 years earlier. He arrived in Brisbane, Queensland on 19 December 1913 on the ship Perthshire. Working with his uncle Timothy, the younger Tim learned the ropes of the trade.
Timothy eventually procured the business from his uncle and together with his two sons, Denis and Joseph, who were apprenticed as stonemasons, they founded the firm, T. Wrafter & Sons in Brisbane. It is still owned and run by the Wrafter family. They are the fifth or sixth generation of this Wrafter family involved in stonecutting. The company produces monuments, memorials, public works, and carries out church work, stone artworks and heritage restorations.
One of their most recent works is a 5-meter-tall Celtic cross standing on the grounds of Nudgee College in Brisbane. The monument, erected in August 2021 to mark 130th anniversary of the college, celebrates the school’s Irish Catholic heritage. Peter Wrafter, Company Director and a qualified stonemason, is a former pupil of the school. The material sought after for the cross was one that would exhibit good weathering properties and would have a colour resembling crosses in Ireland. Australian black granite was chosen and after a sandblast finish resembles the colour of Irish limestone. This beautiful work of art is a testament to the legacy of the Ballyduff stonecutters.
Fig 7. A recently erected Celtic cross on the grounds of Nudgee College in Brisbane made by T Wrafter and Sons, Stonemasons. (Photo: https://twstone.com.au)
Fig 8. An example of one of many public works in stone designed and produced by T Wrafter and Sons, Stonemasons., Brisbane. (Photo: https://twstone.com.au)
Given the prevalence of the name Timothy in this family there may be a link with another Timothy Wrafter who died in 1815 and whose headstone can be found in the graveyard of the old Church of St Carthage in Rahan. The tombstone is ornately carved as can be seen below.
Fig 9. The gravestone of Timothy Rafter who died in 1815, aged 33, in the graveyard of the old Church of St. Cartage in Rahan. (Photo: Paul Stafford. From booklet Offaly Tombstone Inscriptions. 1. Rahan Graveyards)
Thomas Wrafter is another Wrafter stonecutter that emigrated to Australia in the 19th century. Thomas ran a quarrying business on the outskirts of Adelaide in South Australia in 1880. He employed several stonecutters. He may be the same Thomas Wrafter that emigrated from Ireland and arrived in Brisbane in 1866. I have not been able to link him to any specific branch of the Wrafters.
Conclusion
In my research into the quarries and stonecutters of Ballyduff and Tullamore a picture has emerged that shows that the limestone quarries of Ballyduff produced some of the finest building and monument stone in Ireland. Moreover, the stonecutters that originated in Tullamore were widely recognized as some of the best in the country, and those that left Ireland (mainly to Australia) found that their skills were highly valued in their new homelands.
Many thanks to John Wrafter for these articles. Great research and we look forward to a printed publication in due course, Ed.
On several walking tours of High Street, Tullamore in 2023 what stuck one was how good the architecture is, the plan of the street, how much has survived, and the extent of reforms and repairs needed to houses that have become dilapidated. This article is about no. 29 High Street, the former Motor Works, and a dwelling or manse for the Presbyterian minister for over thirty years from the early 1900s. The number 29 is derived from that in the first printed Griffith Valuation of 1854.
The former Motor Works, 29 High Street, Tullamore. The signage has now been removed. If the shop fronts were removed, walled area restored and sash windows inserted etc etc.Lived in and looking well will be a good compromise in these times when so many fine town houses are strugglingfor life.The garden once ran to Moore Hall and behind it. The two houses to the left were also built on this generous leasehold. But then what would you not do for your doctor?
No 29 is the first house on the upper east side of High Street and occupies an important visual position when seen from Cormac Street and in the distance from the old road as one walks out of Charleville Demesne. The house is of five bays and three storeys, and has ‘gable-ends with rough cast battered walls and a high pitched, sprocketed roof. The windows are small and have a good rhythm which slows towards the centre. However, they have lost their original glazing-bars. The house has a simple round-headed, architraved doorcase which is probably later in date. (Garner, 1980).
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