George Petrie was born in Dublin in 1790 and has a strong King’s/ County Offaly connection through his work at Clonmacnoise, Birr, Banagher, Clonony, Lemanaghan and Rahan. He may have been the most significant topographical artist so far as Offaly is concerned. He was certainly the greatest exponent of the heritage of Clonmacnoise first visiting the site in 1818–22. Dates differ as the visits to Clonmacnoise as was noted in the most attractive publication by Peter Murray and published by the Crawford Gallery in 2004.[1] The other great work on Petrie is that of William Stokes, The life and labours in art and archaeology of George Petrie (Longmans, London, 1868). Also important is Crookshank and Knight of Glin, Irish painters, 1600–1940 (Yale, 2002).
The Dictionary of Irish Biography (DIB) entry by David Cooper records that Petrie, was an artist, antiquary and collector of Irish traditional music, and was born on 1 January 1790 in Dame Street, Dublin, the only child of James Petrie, portrait painter, of Dublin, and Elizabeth Petrie (née Simpson) of Edinburgh, Scotland. James Petrie (d. 1819) was born in Dublin of Scottish parents and studied at the drawing school of the Dublin Society. Afterwards he practised as a miniature painter and a dealer in jewellery, coins, and antique objects at 83 Dame Street. The collecting instinct would stand Irish heritage in good stead with James Petrie’s son George performing an outstanding archival and museum service.
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