It’s almost exactly 50 years since I had the great privilege of studying the geology of Slieve Bloom as a postgraduate student in Trinity College. For over 4 years after that my job was to reach into every corner of the mountains where rock might have poked through to the surface, and then bring together the clues these pieces, of the jigsaw that told the story of the formation and subsequent history of the mountains, to form a more or less coherent picture.
But I soon began to understand two things. First of all, that in looking at the rocks I was seeing less than half of the story; even if I included the flora and fauna they supported. The other half was the human story. Slieve Bloom is what its people have made it down all the centuries, and a parallel investigation is required to assemble all the pieces of this jigsaw together into a coherent story, and then place it over the first jigsaw. And then you begin to see how they are really two sides of the same coin.
And then, at the end of the four years, as some of you will know, I wrote a book about it.
There are a number of references in the Annals to Viking bases been set up on the Shannon, particularly in the larger lakes of Lough Derg and Lough Ree. There were two distinct periods of Viking activity on Lough Ree starting In the ninth century when the Vikings had a fleet on the lough. The Annals of Ulster for 845AD say ‘There was an encampment of the foreigners i.e. under Tuirgéis on Loch Rí, and they plundered Connacht and Mide, and burned Cluain Moccu Nóis (Clonmacnoise) with its oratories, and Cluain Ferta Brénainn (Clonfert), and Tír dá Glas (Terryglass) and Lothra (Lorrha) and other monasteries’. Later another base was built between Dromineer and Castlelough in the lands of the O’Sextons. It was from the Shannon that the majority of raids into County Offaly were carried out. A very early and unusual entry in the Annals of Ulster for 749 says ‘ships with their crews were seen in the air above Cluain Moccu Nóis’.
The following year Tuirgéis was captured by Maelsechlainn and drowned by him in Lough Owel outside Mullingar. The Annals of Ulster for 922AD say ‘The fleet of Limerick, that is of Ailche’s son went on Loch Rí, plundered Clonmacnoise and all the islands on Loch Rí and took great booty in gold, silver and much treasure’. In 924AD the entry reads ‘Kolli son of Bárðr ‘Lord of Luimnech’ raids Lough Ree’.
The changing face of Offaly towns in the early 1900s: An illustrated history edited by Michael Byrne with contributions from Paul Barber, Stephen Callaghan, Grace Clendennen, Kevin Corrigan, Michael Goodbody, Ger Murphy, John Powell, Laura Price, Ciarán Reilly and Brendan Ryan (Offaly History, Tullamore, 2024, 368 pp). Available from Offaly History Centre and Midland Books Tullamore and online at www.offalyhistory.com. ISBN 978-1-909822-38-2 (hard back), €27.99. The book will be launched at Offaly History Centre, Bury Quay, Tullamore – beside the new Aldi and Old Warehouse. It is already available at the Centre, online at http://www.offalyhistory.com and at Midland Books, Tullamore. If you cannot attend in Tullamore we have a launch at Giltrap’s of Kinnitty on Thursday 21 Nov. at 7. 30 p.m. We will have copies in Bridge Centre for the Christmas Sale 14 to 24 December.
Banagher, County Offaly has associations with two well-known writers of the nineteenth century – Anthony Trollope and Charlotte Bronte. Up to recent years nothing by way of notice of this was to be found in Banagher, but that has all changed as Banagher, now hard pressed along its main street, looks again to embrace tourism in a way that it did so well in the late nineteenth century and in the 1960s. The plans for the former hotel at Banagher will do much for the promotion of the architectural heritage of the town as did the voluntary work by the co-operative at Crank House. Pope Hennessey’s description in 1971 of Banagher in September would be music to Failte Ireland anxious as they are to extend the holiday season. He wrote:
‘The month of September in Banagher, and all along the Shannon banks, is visually a glorious one, with golden autumn mornings, the low sun making long shadows of the houses in the street. At dusk the whole river reflects the varied sunsets as the days draw in – effects of palest pink, for instance, striped by cloudy lines of green, or an horizon aflame with scarlet and orange light.’ And
The bridge at Banagher affords a splendid view over the level reaches of the river, which here flows glassily between a countryside as flat as that in some Dutch picture. In winter-time the flooded river spreads across these meadows to create an inland sea. In spring and early summer kingcups bloom amongst the sedge and reeds along the Shannon’s bank, wild yellow irises abound and cowslips also. In early summer, too, plumes of mauve and purple lilacs hang over the white walls of the yards of Banagher, and the whole countryside beyond the town displays brilliant variations of the “forty shades of green”.
Many have tackled Trollope’s life, but none immersed himself so much in Banagher as the late James Pope Hennessy.
John McCourt in his 2015 study of Trollope Writing the Frontier: Anthony Trollope between Britain and Ireland ‘offers an in-depth exploration of Trollope’s time in Ireland as a rising Post Office official, contextualising his considerable output of Irish novels and short stories and his ongoing interest in the country, its people, and its always complicated relationship with Britain’.
Last week we looked at the history of steamers on the Shannon. Today we take the account of Henry D. Inglis published in 1835. Inglis was a professional travel writer and author of Spain in 1830, A Journey through Norway etc, published his A Journey throughout Ireland during the Spring, Summer and Autumn of 1834 in London in 1835. His account is well thought of and in his concluding remarks he says why jest or narrate the curious and witty eccentricities of Irish character when ‘God knows there is little real cause for jocularity, in treating of the condition of a starving people.’ So there was a degree of sympathy rather than of superiority.
Inglis was born in Edinburgh and was the only son of a Scottish lawyer. His Irish travels volume was published the year of his death, (first edition, 1835, fourth edition 1836). While considered a ‘fairly benevolent interpreter’ he could find no explanation for the Irish situation other than defects of character.
Inglis spent a week there and also visited Killaloe, Portumna and Banagher. He went from Banagher to Athlone by road and thought the latter was a remarkably ugly town – but not withstanding an interesting and excellent business town. He spent a week in Athlone and used it as a base for touring in the county of Longford to see Goldsmith’s Country.
John Flanagan the well-known builder and advocate for Tullamore and County Offaly died on 9 May 2024. He was the modest man from the Meelaghans, Puttaghan and Bachelors Walk, Tullamore who invested his whole life in making Tullamore a better place for people to live, work, bank and even pray in. In 2018 he was awarded the Offaly Person of the Year Award. John Flanagan was a realist in the Lemass mode. His focus was on getting things done. At the time Lemass came to be Taoiseach in 1959 John Flanagan was just 28 years old. It was ten more years, in 1968-9, before he got his first major break with the purchase of the Tanyard Lane property in Tullamore from the P.&H. Egan liquidator. The Bridge House, also owned by the Egan firm, was bought soon after by Christy Maye, and thirty years on Tullamore had two fine hotels, developed by the new entrepreneurs of the 1960s and 1970s, on lands that had been part of Egan’s extensive portfolio.
Jane W. Shackleton’s Ireland compiled by Christiaan Corlett (Cork, 2012) is an attractive large format publication was issued by Collins Press and consists of 180 well produced photographs by Jane Shackleton. These pictures are important for the photographic record in County Offaly and mostly date to 1894.
Not surprisingly there are many pictures of mills in this book and there are about ten pictures of Offaly interest. Jane Shackleton started taking pictures in the 1880s and made several tours on the Shannon and along the Grand Canal and Barrow lines. These waterways photographs contribute greatly to the history of the canals and the great mills which were associated with river locations. Many of these were in fact owned by Quaker industrialists. Like other interested women of the period Jane Shackleton was a member of the Royal Society of Antiquaries (RSAI) and took photographs of some of their tours including that of June 1904 around Ireland. Midleton Biddulph, the amateur photographer and retired army officer of Rathrobin near Tullamore was also on this trip and some of his pictures survive and have been published as Rathrobin and the two Irelands; the photographs of Middleton Westenra Biddulph, 1900–1920 (Tullamore, 2021). Corlett informs us that the Shackleton collection consists of 1,000 lantern slides and 44 albums containing several thousand prints, mostly of Irish subjects. This writer had the pleasure of seeing some of the Grand Canal and the turf works at Pollagh back in the early 1970s with Richard Shackleton and Jonathan Shackleton.
Part two of this presentation looks at the Charleville and Macartney aqueducts west of Tullamore and the Silver River aqueduct halfway between Ballycommon and Kilbeggan.
THE CHARLEVILLE AQUEDUCT
The Clodiagh River rises in Knockachoora Mountain in Sliabh Bloom and flows swiftly through Clonaslee and on under Gorteen, Clonad and Mucklagh bridges into Charleville Demesne before passing under the Charleville Aqueduct, just before its confluence with the Tullamore River at Kilgortin in Rahan. Less than half a mile upstream on the canal stands the Huband Aqueduct overlooked by the imposing Ballycowan Castle.
The Charleville Aqueduct is called after Charles William Bury who had become Viscount Charleville in December 1800 and it was as such, he was recorded in the lists of attendees of the Court of Directors of the Grand Canal Company during the years the canal was being constructed from Tullamore to Shannon Harbour, 1801-04.
Image 1.excerpt from the minutes
An excerpt from the minutes of a meeting of the canal company held 24th February 1801 where Lord Charleville’s request for the use of one of the company’s boats for the purpose of conveying Lady Charleville to town was accommodated. The memo further states that his wife was in a precarious state of health, most likely an allusion to her being in the advanced stages of pregnancy as her son Charles William Bury was born nine weeks later, on 29th April 1801. (Courtesy of National Archives of Ireland, Dublin)
Image 2. Charles William Bury, 2nd earl
Charles William Bury, 2nd Earl of Charleville, born late April 1801, seated in red cloak before a curtain, portrait by Henry Pierce Bone, 1835.
C. J. Woods’s entry for the first earl of Charleville, (1764-1835), in Dictionary of Irish Biography, R. I. A., (2009), gives a concise résumé of his adult life:
Bury was MP for Kilmallock in 1789–90 and 1791–7, becoming Baron Tullamore on 26 November 1797, Viscount Charleville on 29 December 1800, and 1st earl of Charleville (of the second creation) on 16 February 1806. He was an Irish representative peer from 1801 until his death. With Johnston he designed and built a Gothic castle on his demesne, Charleville Forest, 3 km south-west of Tullamore. Begun by November 1800, it was completed in 1808, to which a terrace, lawns, artificial lake, grotto, and 1,500 acres of woodland were added. Elected a fellow of the Royal Society in 1803 and a fellow of the Society of Arts in 1814, Charleville had ‘wide intellectual interests which never came to fruition’. The earl of Charleville died 31 October 1835 in his lodgings at Dover and was buried at Charleville.
Fred Hammond’s great survey of the bridges in Offaly (2005) gives the following description of the building:
Triple-span masonry bridge carries Grand Canal over Clodiagh River. Abutments, piers and cutwaters are of dressed limestone blocks, regularly laid. The cutwaters are of triangular profile and rise to arch spring level at both ends of the piers. The arches are of segmental profile and each spans 3.07m; their voussoirs are of finely dressed stone. The soffits are very slightly dipped towards their centres to accommodate the bed of the canal. Dressed string course over arch crowns. Parapets are of random rubble, coped with dressed masonry blocks. The parapets are spaced at 10.08m and terminate in out-projecting dressed stone piers. The east end of the south parapet has been rebuilt. The canal narrows to 4.50m, with tow paths either side. The sides are stone lined at this point and there are timber stop slots at the east end of the aqueduct.
Hammond considered the edifice worthy of regional heritage importance.
THE MACARTNEY AQUEDUCT
Image 3.Detail of William Ashford’s painting
Detail of William Ashford’s painting of the crowded scenes at the opening of the Ringsend Docks, Dublin, 23 April 1796, showing Lord Camden, the Lord Lieutenant of Ireland, conferring a knighthood on Mr. John Macartney with the Westmoreland, Buckingham and Camden Locks in the background. Macartney can be seen in a genuflected position on the right-hand quay wall beneath a billowing British naval flag. (Courtesy of the National Gallery of Ireland)
This is the western-most aqueduct in Offaly straddling the townlands of Falsk and Derrycarney, south of Ferbane. The structure is named after Sir John Macartney, one of the more influential directors of the Grand Canal Company. As alluded to above he was knighted by the Lord Lieutenant at the opening of the Grand Canal Docks in 1796, “in consequence of his energetic exertions in the promotion of the inland navigation of Ireland.” Like Huband’s Aqueduct at Ballycowan, it has two commemorative plaques dating it to 1803.
Image 4. Commemorative plaque dated 1803
Commemorative plaque dated 1803 on the south parapet wall of the Macartney Aqueduct.
Fred Hammond’s appraisal of the building says it all:
This is the largest aqueduct on the Grand Canal in Co. Offaly and second only to the Leinster Aqueduct (Co. Kildare) in size on this canal. It is of high-quality construction and has been sympathetically refurbished. It is of historical interest due to attested date and link with Grand Canal Co. Also, a substantial landscape feature hereabouts. Of national heritage significance, meriting inclusion in Record of Protected Structures.
Image 5. A delightful drawing by Israel Rhodes
A delightful drawing by Israel Rhodes, dated to March 1802, showing details of the steam-powered pump that was used during the construction of the Macartney Aqueduct over the Silver River. This is from the minute books of the Grand Canal Company where such visual representations are very rare. The depiction is signed by Rhodes as engineer and by Arthur Chichester Macartney, then an influential director of the canal company. (Courtesy of National Archives of Ireland, Dublin)
The aqueduct crosses the fast-flowing Silver River after it has meandered over twenty-miles from the slopes of Wolftrap Mountain high up in Sliabh Bloom The river’s course takes it through Cadamstown, Ballyboy, Kilcormac and Lumcloon before joining with the Brosna half a mile downstream of the aqueduct.
Image 6. Map by John Longfield c.1810
Map by John Longfield c.1810 showing the Grand Canal turning sharply to the north-west just downstream of the Macartney Aqueduct and thus avoiding the Gallen, Cloghan and Lumcloon complex of bogs before meandering (almost) from Gallen to Belmont, always in close proximity to the River Brosna. The Silver River is depicted as the Frankford River in deference to the old name for Kilcormac, the last town it passes through before its confluence with the Brosna. (Courtesy of The National Library of Ireland)
SILVER RIVER AQUEDUCT ON THE KILBEGGAN BRANCH
To avoid confusion with the other Silver River crossed by the Macartney Aqueduct, this aqueduct straddles the Silver River which separates the counties of Offaly and Westmeath between the townlands of Bracklin Little and Lowertown. The river rises upstream of New Mill Bridge, in Rahugh, in Westmeath. In Offaly it flows via Derrygolan, Acantha, Gormagh, Ballyduff, Aharney, Coleraine, Coolnahely and Aghananagh before joining the Clodiagh at Aghadonagh, in Rahan. The 1838 six-inch map shows five mills on this relatively short river. The earliest of these mills is probably that at Ballynasrah or Tinnycross as it is shown on John Gwin’s map of the Barony of Ballycowan which was drawn c.1625, almost four hundred years ago.
Image 7. Detail of John Gwin’s map showing Silver River
Detail of John Gwin’s map of the barony of Ballycowan which shows the Silver River flowing from Ballynasrah in the bottom left-hand corner to its confluence the Clodiagh at Aghadonagh on the right- hand side, passing Ballyduff, Aharney and Tullymorerahan. The mill is indicated by a mill-wheel symbol. The map is part of a set of twenty-eight important maps of various parts of Offaly drawn four hundred years ago in the Mathew De Renzy papers in the National Archives in London.
KILBEGGAN BRANCH
As early as 1806 the Grand Canal Company’s engineer John Killaly had prepared a detailed map for a proposed branch from Ballycommon on the main canal to Kilbeggan. This line was closely adhered to when work finally begun twenty-four years later in 1830. An application for funding was made in 1825 and despite strenuous objections from the Royal Canal Company a loan was approved in 1828. In March 1829 Killaly had completed the plans and specifications for the line. A month later William Dargan’s proposal to build the line for £12,850 was accepted.
Image 8 William Dargan
William Dargan, (1799-1867)
From the outset work was slow due to continuous wrangling between the contactor and the company. Dargan had taken his own levels, but the canal company insisted he use those of Killaly. Even when progress was made recurring problems with staunching the huge embankments at Bracklin Little and Lowertown delayed construction. Allied to this was the major distraction of Dargan’s involvement with the building of Ireland’s first railway line.
Image 9. Bracklin Little and Lowertown townlands on the1912
Bracklin Little and Lowertown townlands on the1912 Ordnance Survey six-inch map, showing the meandering Silver River and the dense hachuring between Lowertown and Murphy’s bridges. This represents the steep slopes of the embankments which carry the aqueduct high above the surrounding landscape. Note the overflow at south end of the aqueduct. This was to prevent the level of the canal rising to a height where it would overflow the banks and lead to a major breach. Just like at the Blundell Aqueduct there were twenty-six miles of canal without a lock which would have poured out at this point if a burst occurred, leading to much destruction and a long-term closure of the navigation.
Dargan’s chief biographer Fergus Mulligan describes this episode in Dargan’s life in the Royal Irish Academy’s Dictionary of Irish Biography:
Ireland’s first railway line, the Dublin & Kingstown, opened in 1834 and Dargan was fortunate to win the contract to build it against six competitors. Working under another Telford pupil, Charles Vignoles (qv), as engineer, Dargan began work near Salthill in April 1833, and although he was six months late finishing the line (which opened on 17 December 1834) the penalty clauses in his detailed contract were not enforced. The successful completion of this line gave Dargan a springboard to winning a substantial share of Irish railway construction contracts on offer in the 1840s and 1850s.
Again, we are greatly indebted to Fred Hammond’s monumental survey of all 407 bridges in Offaly in 2005 for a detailed description of this aqueduct:
A tall arched masonry bridge carries the disused Kilbeggan Branch of the Grand Canal over the Silver River at the county boundary. The abutments are of dressed limestone blocks, regularly laid and with finely dressed quoins. The arch is of semi-circular profile, with finely dressed radial voussoirs and dressed stone soffit blocks; it spans 3.59m. The arch is embellished with finely dressed string courses around the tops of the quoins and across the crown. Over the top of the upper string course are four regular courses of dressed stone blocks. They are surmounted by a slightly inset random rubble parapet. The sloping wing walls are detailed as the abutments and are coped with stone flags.
Patrick Lynch and John Vaizey in their history of Guinness’s brewery in the Irish economy to 1876 observed that in England the canals followed trade while in Ireland it was hoped that trade would follow the canals. It was a hope that was only partially fulfilled as outside of Dublin the new canals served few areas of commercial or industrial importance.[1] The observation was following in the line of Arthur Young in the 1770s who had advised ‘to have something to carry before you seek the means of carriage’.[2] Yet the record of the carriage of goods on the canal was satisfactory with 500 million ton miles carried in 1800 and double that by the 1830s.[3] The Grand Canal was especially beneficial to north Offaly for the transport of stone, brick, turf, barley, malt and whiskey. All bulky goods suited to water transport. The emerging firm of Guinness also found the inland water transport system helpful to sales and market penetration. The slow movement of Guinness beer by waterway was good for product quality on arrival.
The view is about 1840 and the book 1960. There is a copy at Offaly History Centre Library
Work on the Grand Canal started in 1756 and by 1779 the first stretch of water from James’s Street to Robertstown was completed. Over the next twenty years the canal was extended to Tullamore (1798) and Shannon Harbour (1804). The six-year delay at Tullamore while resolving issues with the direction of the ‘Brosna Line’ at Tullamore facilitated the establishment of a canal hotel, stores and a harbour.
A case can be made for declaring that the Grand Canal in Offaly is the county’s greatest building. No other structure has contributed so much to the economic development of so many of its towns and villages over the last 230 years. In addition, it has supported the recreational wellbeing of local citizens for a hundred years or more and seems set to do so exponentially in the decades ahead. It also preserves a relatively undisturbed wildlife corridor for many of our threatened flora and fauna species. The canal has its own rich cultural identity, much celebrated in literature and music. Its components, listed below, still combine to create an architectural entity that is almost fully operational although in a fashion undreamt of when it was first conceived in 1715, well over 300 years ago.
Combining the Shannon or Main Line (1793–1804) and the Kilbeggan Branch (1830–35), the stretches of the canal in Offaly and Westmeath took just over fifteen years to build. As it flows forty-four miles from Cloncannon, south-east of Edenderry, to Bunbrosna and Minus, downstream of Shannon Harbour, and eight miles along the Kilbeggan Line, its architectural components present a staggering list: it tumbles through sixteen locks; crosses five large aqueducts; supports and reflects forty or so ancient and modern bridges; funnels into its own channel an array of supplies or feeders, kept in control by a strategically placed system of overflows or overspills; conducts scores of unwanted streams, syphoned and otherwise, through scores of tunnels or culverts, under its non-porous bed to nearby rivers and gently glides along between a hundred miles of well-staunched towpaths and embankments to a seamless confluence with the brimming Brosna and the Lordly Shannon.
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