Growing up in our house in Clonminch outside of Tullamore, I came to detest
that mawkish dirge about the Lake Isle of Innisfree. My grandfather, who had
once visited the island, was obsessed by the poem and insisted that I recite it
at every party. He even named our house after it.
Later, as a young town planner, I blamed the wretched verse for the rash of
holiday homes that were beginning to appear in every beauty spot in Ireland
and cursed Yeats who had provided the moral justification for this desecration.
If a well known poet could simply arise and go and build in whatever idyllic
place he chose, why shouldn’t everybody else?
But – would Yeats get planning permission? I would put that to the test.
Category: Art and Artists
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‘The Lake Isle of Innisfree’ How my hatred of the poem changed utterly. By Fergal MacCabe. Blog No 771, 27th Dec 2025
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The Silver River of Slieve Bloom. From John Feehan’s address at the launch in Kilcormac on 20.11.2025. Blog No 764, 3rd Dec 2025
It’s almost exactly 50 years since I had the great privilege of studying the geology of Slieve Bloom as a postgraduate student in Trinity College. For over 4 years after that my job was to reach into every corner of the mountains where rock might have poked through to the surface, and then bring together the clues these pieces, of the jigsaw that told the story of the formation and subsequent history of the mountains, to form a more or less coherent picture.
But I soon began to understand two things. First of all, that in looking at the rocks I was seeing less than half of the story; even if I included the flora and fauna they supported. The other half was the human story. Slieve Bloom is what its people have made it down all the centuries, and a parallel investigation is required to assemble all the pieces of this jigsaw together into a coherent story, and then place it over the first jigsaw. And then you begin to see how they are really two sides of the same coin.
And then, at the end of the four years, as some of you will know, I wrote a book about it.
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A hidden jewel: The Chapel of the County Hospital in Tullamore. By Fergal MacCabe. A contribution to our Anniversaries series No 20. Blog No 756, 18th October 2025
The recent decision of the Health Services Executive to allocate funding for the renewal of the windows, doors and walls of the chapel of the original Offaly County Hospital, Tullamore is a welcome and well-timed architectural conservation initiative.
Opened in 1964, the building, which is a Protected Structure of Regional Importance, is an interesting example of stylistic change in Irish church architecture in the mid-20th century.
Though its exterior has been compromised by surrounding buildings, the serene and elegant interior is still totally intact.
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Banagher Ancient Cross is now on exhibit in the National Museum. By Kieran Keenaghan. Blog No 746, 12th Sept 2025
MUSEUM CAPTION :‘In preparation for our major temporary exhibition Words on the Wave: Ireland and St. Gallen in Early Medieval Europe, opening in late May this year, we reveal the ongoing conservation and scanning work on the famous high cross shaft from Banagher, Co. Offaly (1929:1497). The cross helps tell the story of the connections between art, belief and society in the world which produced the manuscripts.
‘The journey of a bishop, like Bishop Marcus and his nephew Moéngal’s journey from Ireland to St. Gallen, is shown on an iconic shaft of a high cross from Banagher, Co. Offaly. The sandstone carving shows a deer whose foot is caught in a trap, possibly symbolising Christ. Below this are four figures caught by their hair in a whirl of interlace in a similar way to the back-to-back figures on an Irish manuscript fragment from St. Gallen. The sides of the cross are decorated with C-shaped spirals, like those on the Gospel of St. John at St. Gallen. Banagher was a church site linked to St. Ríoghnach, who was said to be the sister of St. Finnian of Clonard or Movilla. Finnian, who was possibly of British origin, was associated with the earliest penitential, a book on a system of forgiveness by God for sins, which was also copied at St. Gallen.’
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Artist and art teacher Oliver Connolly, Tullamore. No 16 in a series on the paintings and drawings heritage of County Offaly, 1750-2000, explored through the works of artists from or associated with County Offaly. By Michael Byrne. Blog No. 743, 3 Sept. 2025
Oliver Connolly must be one of the best-known artists in the midlands given that he has taught art to thousands of children and adults largely drawn from the wider Tullamore area for over forty years. Practising very much as a topographical artist it is a pleasure to include his work in this series.
Oliver Connolly was kind enough to make available a series of drawings of the buildings of Tullamore for the publication A walk through Tullamore issued in December 1979. Now long out of print it was the first historical study of an Offaly town to provide illustrations by an artist since Thomas Lalor Cooke issued his Picture of Parsonstown (Birr) in 1826. We have already featured that book in this series.
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The Birr family of George Morrison of Mise Eire fame, died August 2025, aged 102. No 15 in a series on the arts heritage of County Offaly, 1750-2000, explored through the works of artists from or associated with County Offaly. By Michael Byrne. Offaly History Blog No 737, 6th August 2025
One of Offaly’s pioneering photographers living in Birr in the late nineteenth century was George Morrison, son of Edward, both were jewellers in the town in Duke now Emmet Square. George Morrison was a trained photographer who had opened a studio in his Birr jewellery shop in 1894. He was grandfather to the now acclaimed documentary artist George Morrison of Mise Éire (1959) fame who has just died at the age of 102. It can be said that George Morrison inherited a tradition commenced in the family by his grandfather, but following in the footsteps of many others including Mary, third countess of Rosse.
Another Birr neighbour of the Morrison family was Archie Wright, of nearby Cumberland House, Birr had also trained in photography and would assist his father in producing photographs weekly for the local King’s County Chronicle newspaper from 1885. At the time an innovation in the provincial press. The Chronicle was one of the first provincial papers to use the block process and Wright had been sent to London to study the process.
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Irish personalities depicted in the Williams calendars in the 1950s and 1960s, based on commissioned drawings from Irish artists. By Michael Byrne. No 14 in a series on the paintings and drawings heritage of County Offaly, 1750-2000, explored through the works of artists from or associated with County Offaly. Blog No 735, 30th July 2025
Desmond Williams (1908–1970), a director of the Williams Group of companies spent over thirty years with the company in promoting Tullamore Dew whiskey, Irish Mist liqueur and the company’s wine distribution network. He died prematurely in 1970 at the height of the sales decade for Irish Mist with exports to over 100 countries.
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Liam C. Martin (1934–98), Kilbeggan born artist and his work on the D.E. Williams buildings in Tullamore. By Michael Byrne. No 13 in a series on the paintings and drawings heritage of County Offaly, 1750-2000, explored through the works of artists from or associated with County Offaly. Blog No 734, 26th July 2025
Liam C. Martin was born in Kilbeggan in 1934 so he must have known all about the Locke’s distillery in that town and the associated distilling history of the Williams family in Tullamore. In about 1980 he was commissioned by the Williams Group and the late Edmund Williams to record the Williams buildings in Tullamore for posterity. The drawings were printed in an issue of about 25 copies and presented in a specially printed folder. There are some of the drawings in Offaly Archives and complete sets in private collections. It was the act of a far seeng man to have the legacy recorded and Liam C. Martin was a great choice.
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Lady Beaujolois Bury (1824–1903) the prayerful artist of Charleville Castle, Tullamore. By Michael Byrne. No 12 in a series on the paintings and drawings heritage of County Offaly, 1750-2000, explored through the works of artists from or associated with County Offaly. Blog No 733, 23rd July 2025
Beaujolois Elenora Catherine, the only daughter of the second earl of Charleville (1801–51) and his wife Harriet Charlotte Beaujolois Bury née Campbell (1803–48) was born on 4 December 1824 and survived almost as long in years as her later cousin, Col. Howard Bury. In case anyone would think that the name Beaujolois is in recollection of some Bacchanalian festive evening we should know that the unusual name was (as De Beer writes) due to her having as her godfather, Louis Charles d’Orleans, Comte de Beaujolais, brother of Louis Phillipe.[1] There is much about this connection in the Charleville Papers in Nottingham University. Beaujolois married Captain Hastings Dent in 1853 and died in 1903. Dent died in 1864. Lady Beaujolais had been married for only eleven years and was a widow for almost forty.
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Fergal MacCabe architect, town planner, artist and heritage brand ambassador for Tullamore. No 11 in a series on the paintings and drawings heritage of County Offaly, 1750-2000, explored through the works of artists from or associated with County Offaly. By Michael Byrne. Blog No 732, 19th July 2025
Fergal MacCabe is an architect, town planner and a topographical artist. He has managed to combine all three disciplines in his career. His fondness in recent years for the capriccio style of painting in many ways pulls together all his skills in how he views buildings and sees them in context. In his capriccio style Fergal MacCabe draws on real architectural elements and it is their juxtaposition that is whimsical. Yet he has regard to his own aesthetics, architectural and town planning skills in the buildings he selects and how he brings these buildings together.
For his jovial attitude to life we can probably thank his mother Winifred, who was by all accounts a character up to early passing in 1960.
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